What The Press Is Saying

“With a driving rhythm section underpinned by Marcia and Amanda, Stephanie’s violin or mandolin lines and solos give old songs a new twist and give new songs irresistible hooks. Rounded out and tied together with Ashley’s lead vocals and lead guitar, the Booth is starting to perform again live. The high-energy fun they have together pumps the performances up to hyper-active sleepover energy, infused with years of performance experience and expertise. Think uber-talented rebel girl slumber party.”

—Laura Preble, San Diego Troubador

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“There is a hint of insanity at times, and a bit of menace and mania, but at the same time it’s all in good fun and never comes across as dark or dreary. It’s the kind of effort that’s not only certain to draw attention, but also to keep fans committed to hearing whatever might come next. Indeed, once you land on Lady Psychiatrist’s couch, you may never want to leave.”

— Lee Zimmerman, Goldmine Magazine

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“Features some wry and dark Americana including the fantastic ‘Neighbor’.”

— Rock’N’Reel Magazine, UK

Lady Psychiatrist's Booth does a strange, almost psychedelic americana on her self-produced, self-titled ep. The whole thing is quite original, playful and full of different instruments, including violin with wah-wah.

— Zero Magazine, Sweden

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“In our opinion, this can happen perfectly in addition to the other work of the two ladies Norton and Groot.”

— On recording a sequel. Rootstime.BE

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“LADY PSYCHIATRIST'S BOOTH is almost unplugged AOR! Glory Box is excellent, quite original, and performed by a full blown rockband this would be an AOR/Melodic Rock dream, yet now it’s unplugged, which is also sounding sensational”

—AOR Hot New Reviews

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“Musically, folk and pop elements are mixed with some eccentric and dark moments as in the intro of Neighbor which then develops with an enveloping melody, while Belly Of The Beast is a cadenced mid-tempo with keyboards in the background and Heritage Flakes a sort of folk rhyme with the accordion in evidence. But the most engaging song is the cover of Portishead's Glory Box, fascinating, sensual and enveloping, cloaked in psychedelic sensations.”

—Paolo Baiotti, Late For The Sky Magazine, Italy

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